Guest Post: Nicola Morgan and Write A Great Synopsis

a beautiful blonde ignoring some woman in a necklace

…or, What Was I Thinking?

Several weeks ago the writing whirlwind that is Nicola Morgan got one of her many scary assistants to ask me if I’d be willing to host a guest post from the Great Crabbit One. At the time I was feeling somewhat weak (translation: I’d had a couple of glasses of pink fizz) and so I agreed, and here we are today. Nicola Morgan is now going to take over my blog.

I apologise in advance for her behaviour which I know will be bad. So without any further precautions ado, here she is. That bloody woman. Um, Nicola Morgan, writer extraordinaire.

xxx

 

Oh, Jane, you foolish woman! You said I could come here and do anything I wanted, didn’t you? You did, you know you did. So… Actually, I’m in teaching mode so I’m going to be terribly responsible and just peer over the top of my specs a bit. *peers*

Write A GREAT Synopsis!

So, today we are talking about Write a Great Synopsis (WAGS, henceforth). Why do writers need to know how to write a great synopsis? Because agents or publishers almost always want one before they’ll give you your first deal (and, usually, subsequent ones, too.) And if that’s what they want, that’s what you must give them. So, WAGS shows you exactly how to do it properly, smartly, snappily and stress-freely.

I decided to offer each host blogger a free extract. So, here’s yours, and you are inordinately privileged to learn of my patent Crappy Memory Tool. In WAGS, I offer lots of guidelines and answers to questions, along with two methods and masses more detail. This is Method Two:

Method Two: Start with the heart

I first heard of this method from Emma Darwin, who commented on my blog: “The best tip I’ve ever had for writing synopses is to write it in a single sentence: your hook, if you like. Then expand that to a paragraph. Then finally expand that to a full page. That way, instead of agonising over what to leave out and feeling the book looks limp and lifeless as a result, you’re starting with the core conflict, and only adding what fleshes it out most effectively.”

And I’ve done that ever since. Thank you, Emma!

I suggest adding my patent Crappy Memory Tool to this method. I discovered it while writing this book, when constructing the sample synopsis of my novel, Wasted. The point is that if you forget the details of your book, what you do remember is most likely to be all the crucial stuff. And that’s all you need.

So, here’s how to use Method Two with the Crappy Memory Tool. Do all this without referring to your book or any notes.

Stage 1: Create a one-sentence/twenty-five-word pitch. (I’ll show you how in a minute.) (Except that I won’t, because there’s not room, but I do in the book and have also blogged about it before.)

Stage 2: Expand that till you have a ‘hook’ paragraph such as you might use in your covering letter, or such as might appear on the back of your book, except without the praisy bits.

Stage 3: Expand a little further, adding what happens in the end, showing how the main character’s journey is completed. You now have two paragraphs, probably.

Stage 4: Note the climaxes and plot stages or major obstacles. Incorporate those into your paragraphs, adjusting the order if necessary for clear explanation. You probably now have a page.

Stage 5: Join those events with good prose that properly conveys how everything fits together, avoiding explaining anything unless crucial.

Stage 6: Ruthlessly hone to make it as perfect as possible. But bear in mind that there is no such thing as perfection…

 

It’s a slightly more mentally taxing system but I believe it helps you focus on the core of your book. Also, at the end of it you have a one-sentence pitch and a paragraph pitch and you know your book better than you ever thought possible!

 

You will, I promise, feel empowered.

(Ends extract.)

 

Write a Great Synopsis covers everything about synopsis-writing, clearly and reassuringly. It aims to stop you panicking and show you how to produce a smart and snappy synopsis.

 

Would you like the chance of winning a critique of your synopsis from me? All commenters below (by Feb 15th) will be entered into the Big WAGS Competition, with chances to win a critique of your synopsis by the Crabbit Old Bat herself! One comment per person on each blog – though you can add to your chances by commenting on the other posts on the tour. Details of all stops on the tour will appear on my blog (Help! I Need a Publisher!) as they go out.

 

Thanks for having me here, Jane, and good luck to all your readers. I hope they’ll find the advice in WAGS really useful and fun to read – yes, really, a book about synopses, fun!

For details about the book, including buying options, go here.

Thanks again for letting me visit.

xxx

Phew. I think she’s gone now. Full details of Nicola’s competition appeared on her blog on January 16, but don’t think you’re going to win it because I want that prize and I will play dirty. Because no matter what I say about her in public, Nicola Morgan really knows her stuff and this book is brilliant. Buy it now. You’ll be very pleased that you did.

Related posts:

  1. Guest Post: No Idea Is Wasted: Nicola Morgan I am a big smug show-off because I have lots of writer-friends. But I almost never ask my friends to discuss their own books on...
  2. How To Write A Synopsis The job of the synopsis is to tell the story briefly and coherently; to outline the ups and downs of your story, and to introduce...
  3. What Is A Synopsis For? A synopsis is selling-tool, which shows editors and agents that you can write well and that you know how to structure a book. A synopsis,...
18 Responses to Guest Post: Nicola Morgan and Write A Great Synopsis
  1. Dan Holloway
    January 19, 2012 | 10:23 am

    I love the way that on the cover the one thing your eye is drawn to are the words “Crappy Memory” – there’s something Derren Brown like about that placement.

    I do struggle with this. Really struggle. I know a killer 25 word thing would be an invaluable tool but I can’t ever come up with one. I’m hoping Nicola will have taught me by the end of tonight’s workshop

  2. Cameron Lawton
    January 19, 2012 | 11:33 am

    Another excellent interview and I can understand how Jane felt. Were the Crabbit One visiting my blogsite I’d spend the entire week before polishing the chair legs.

    Expanding from sentence to paragraph and onwards is a brilliant idea – excuse me, I have to start now, then I can compare it with the examples in the book when it arrives.

    Thank you both Mesdames.

  3. Francis Hayes
    January 19, 2012 | 12:49 pm

    “Crabbit Crappy memory tool” – well that’s easy to remember.

  4. Kathleen Jones
    January 19, 2012 | 3:28 pm

    I just HAVE to read this book. Dilemma – how to condense a novel the size of War and Peace into a synopsis 2 pages long? And then convince someone to buy it? Bet Nicola Morgan knows how!

  5. Barbara Keenan
    January 19, 2012 | 3:30 pm

    Fantastic advice – looking forward to reading the full book. Please add me in to the draw!

  6. Kari Maaren
    January 19, 2012 | 4:07 pm

    Yes…this is something that makes me want to take my full manuscript and set it on fire with the power of my fury, then dance vindictively on the ashes. I hate synopses with a terrible passion. The “expanding pitch” idea is a good one, and I hope that I am one day going to be able to implement it instead of spending weeks weeping tears of blood over a short document that should technically not be taking me all that long to write.

  7. womagwriter
    January 19, 2012 | 5:37 pm

    For my next novel I’m going to try starting with a synopsis, built by the expanding pitch method, and see how I get on.

  8. catdownunder
    January 19, 2012 | 8:44 pm

    Now if I could just get the first sentence right…I am sure I could do the rest now that I have read WAGSynopsis!

  9. Nicola Morgan
    January 20, 2012 | 7:01 pm

    Womagwriter – that’s actually how I write novels!

    Thanks for comments, everyone. Good luck in the draw on Feb 15th!

  10. Steven Poore
    January 21, 2012 | 7:06 am

    I can manage the page-length version, but I still can’t boil it down to 25 words. Or at least, not the right 25 words…..

  11. Laura Mary
    January 22, 2012 | 8:34 pm

    I was on your blog the day you challenged us all to the 25 word hook Nicola!!! I had a perfect hook… only it was 27 words! The 25 word version was never as good!
    Okay obviously it wasn’t perfect but it did make me think long and hard about what ONE thing my story is about. Surely now that I have two pages at my disposal it should be easy right? Right?
    Well maybe not so easy but at least I’ll have some more guidance!

  12. Mischa KK Bagley
    January 26, 2012 | 1:46 pm

    Sound, succinct, advice. I can’t speak for others of course, but I myself can only write form the heart. Even when my head says not to!

  13. Gabby
    January 26, 2012 | 5:44 pm

    Bought WAGS. Read WAGS so every wise word was imprinted on my synopsis-fearing brain.Started excitedly writing synopsis using ‘method 2′ and ‘crappy memory tool’. Got as far as circling five compelling words (you’ll know what I’m talking about when you buy the book!). Laid down with cold compress and a large G and T. About to attack 25 word pitch again. Know this will work in the end, it’s all about perseverance and keeping those G and Ts coming. Don’t worry, will check in the morning when sober@

  14. Kirsty
    January 31, 2012 | 12:15 am

    You can’t believe how delighted I was when I read about the Crappy Memory tool – I should be fine writing a synopsis because I have the crappiest memory ever. I recently sent out my early early draft of my novel to beta readers and kept having to remind myself they were talking about my book wot I wrote. I guess my one concern would be that my memory is too bad that I’d omit something terribly important. Thanks for making my memory issues a positive writing attribute!
    Ps. Love the link name to this blog post. Great to see writers with such animosity get on so well ;o)

  15. CJ
    February 3, 2012 | 2:52 pm

    I’ve discovered that writing the short pitch and paragraph pitch for stories where I’m stuck is a great way to encourage my mind to keep going with them. Even if it’s just to tell a friend what the story is about, I’ve found I start getting really excited to write again.

  16. Patsy Collins
    February 6, 2012 | 8:52 am

    I think I should give this method a go. My synopsis usually feels more like a plot summary than a hook.

  17. SM
    February 10, 2012 | 2:41 pm

    Kari, I know exactly how you feel. I’m hoping Nicola’s book can help me overcome my aversion to the synopsis, at least long enough to write one without giving up on the whole book.

  18. Nicola Morgan
    February 16, 2012 | 10:02 am

    Dear Jane,
    A mahoosive public thank you, with sparkly knobs on, for hosting me on the WAGS tour. I thought your spray tan and lurex tights were just gorgeous. Seriously, thanks, Jane. I hope your readers are feeling more confident about writing a synopsis and I wish them and you huge luck and satisfaction with your writing. I’ve entered them all in the Big WAGS comp and will report back as to whether any of them are among the winners after I’ve got the names from the other blogs.

    Write well!

    Nx

Leave a Reply

Wanting to leave an <em>phasis on your comment?

 

Trackback URL http://howpublishingreallyworks.com/wp-trackback.php?p=4545